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It's Only Divine Right The New Pornographers from The Electric Version (2003) Lyrics from http://www.thenewpornographers.com/ [Note: there's some lead-stuff going on in the song during the parts that go from A to C# that is not reflected here. People with better ears that I have can figure it out. Send all corrections to bworlow@yahoo.com. Enjoy.] Intro: C# F# x4 C# F# Both eyes drinking cool water, A G# Not the first daughter so I can't see C# F# Why you're wrestling with words at last, C# F# A tradition you've long outclassed. C# F# Come true for the new martyrs, A G# With your hair parted like the Red Sea. C# F# You're addressing the world from your bed, C# A E All alone in the crowd like you said. F# C# Come true, it's only divine right. F# C# Come true, it's only divine right. C# A F# x2 C# F# Here's Leda in her white glory, A G# All her back-story has been wiped clean. C# F# Just another apocryphal mess, C# F# Never promised 'em anything less. C# F# So come true, these are safe waters A G# For the first daughter, so I can't see C# F# Why you're pushing the pull that you've had, C# A E While the rest of the girls go bad. [ Tab from: http://www.guitaretab.com/n/new-pornographers/71553.html ] F# C# Come true, it's only divine right. F# C# Come true, it's only divine right. C# A F# x2 A C# x2 C# F# Slip back through the plot B G# For the new shock, seeing us then, F# G# When we were the real people, F# G# We were the real people. C# F# Slip back through the plot B G# For the new shock, seeing us then, F# G# When we were the real people, F# G# We were the real people. C# F# x4 C# F# Face down in the old money, A G# Left the crowd wondering what your next move's C# F# Gonna be in the moments ahead, C# A E While the rest of the girls go bad. F# C# Come true, it's only divine right. F# C# Come true, it's only divine right. C# A F# x2 A C# x2 C# F# Slip back through the plot B G# For the new shock, seeing us then, F# G# When we were the real people, F# G# We were the real people. C# F# Slip back through the plot B G# For the new shock, seeing us then, F# G# When we were the real people, F# G# We were the real people. A C# [repeat several times] |