#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Thu, 27 Nov 1997 15:34:42 -0800 (PST)
From: keanek@chipsnet.com (Keane, Ed)
"southbound" by MxPx on the life in general album
G
it's all the same
A D
the same old with a different name
G
that's fine by me
A D
there's only one place that i wanna be
chorus
C D G
southbound on I-5
C D G
i'm driving and i'm dreaming'
C D G
there's no place i'd rather go
C D
staring at white lines on the side of the road
G A C
G A C D
G A C
G A C D
G
been on the road a while
A D
i gotta get back to the place with style
G
hang out, having fun
A D
i gotta get back to the beach in the sun
chorus
C D G
southbound on I-5
C D G
windows down and music on the stereo
C D G
i'm driving and i'm dreaming'
C D G
there's no place i'd rather go
C D
playing every night with the occasional fight
G A C
G A C D
G A C
G A C D C# D C#
G
(then a solo that i don;t know)
then you end on D
[ Tab from: http://www.guitaretab.com/m/mxpx/13138.html ]
well i hope it works, it did for me!
i got it off the MxPx site(www.mxpx.com)
and they have almost every song tab by them!
by keanek@chipsnet.com
> >i have tabs that are not in us1 site here! and i want to add them but i
> >don't know how!
>
>
> .oooooo. ooooo .oooooo. .o.
> d8P' `Y8b `888' d8P' `Y8b .888.
> 888 888 888 888 .8"888.
> 888 888 888 888 .8' `888.
> 888 888 888 888 ooooo .88ooo8888.
> `88b d88' 888 o `88. .88' .8' `888.
> `Y8bood8P' o888ooooood8 `Y8bood8P' o88o o8888o
>
>
>
> HOW TO SUBMIT FILES TO OLGA (THE ON-LINE GUITAR ARCHIVE)
> ::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>
> OLGA, the On-Line Guitar Archive, is a natural development of
> the guitar.tab newsgroups. The Archive provides a library of files that
> is more permanent than usenet and is easily accessible, and attempts to
> prevent repetition of work already done by the community.
>
> If you can educate others in how to play a song, type up
> the chords and/or tab and/or playing tip and send it to both the
> newsgroups *AND* the archive, and contribute to the community.
>
> OLGA is particularly looking to develop the weaker areas, such as bass tab,
> acoustic and classical pieces, country, blues and jazz.
>
> OLGA, the On-Line Guitar Archive, is a natural development of
> the guitar.tab newsgroups. The Archive provides a library of files that
> is more permanent than usenet and is easily accessible, and attempts to
> prevent repetition of work already done by the community.
>
> If you can educate others in how to play a song, type up
> the chords and/or tab and/or playing tip and send it to both the
> newsgroups *AND* the archive, and contribute to the community.
>
> OLGA is particularly looking to develop the weaker areas, such as bass tab,
> acoustic and classical pieces, country, blues and jazz.
>
> Step 1. Preparing your file
> Step 2. Sending us your file.
> Step 3. Acceptance criteria.
> Step 4. Your file at OLGA
>
>
>
> Step 1: Before you submit, make sure of the following:
> Final a) That you have included the song name, artist's name
> Preparations and your own name (and if different, the transciber's name)
>
> b) If you can, include other information such as the name
> of the album from which the track comes, the name of the
> author(s) of the words and music, details of the publisher
> and catalogue number, and notes on what effects are used
> and on how to play the music. It is also extremely useful
> to mention if your file is a special version of the song,
> such as from a live show or an acoustic recording.
>
> c) Make sure that the file is 'all your own work'. If you
> take your crd/tab from a book or magazine that is copyrighted
> it won't (knowingly) be archived.
>
> * d) Check the archive to ensure that you are not
> duplicating material already there. If there is
> already a version of a song, YOUR SUBMISSION WILL
> BE SENT BACK TO YOU, and will not be accepted until the
> file contains some note recognizing the presence of the
> existing file and saying how the two versions compare,
> and possibly instructions to the archivist. If a chord or
> tab file already exists for the song, take it down
> and incorporate your material with it.
> Try to contact the original author to come to an agreement.
> Always credit the original author and mention what each of
> you has done.
>
> * e) Files must be written in (or saved as) plain-text. It's not
> hard to save your work as plain text, so we will return any
> Word 'doc' files or Wordperfect 'wps' (etc) files that you
> send us.
>
> When writing in a word processor (word, macwrite, notepad,
> etc) you should:
> use courier font (or some other monospaced font)
> limit the width of the page to 75 characters
> save the file as text before sending
> (When writing in any *text* editor (e.g. emacs, vi, ed,
> pico) you will naturally have to do all these things.)
>
>
> Step 2: Use Email
> Submitting Use a subject line of the same form as you post
> to news, i.e. TAB: 'songname' by 'artistname' (See Step 3)
>
> Files must be sent individually (that is, don't
> send two files in one post, though tar files are acceptable.
> Z and gzip compression are acceptable.)
>
> Send bass tab files to bass@olga.net
> Send all other files to guitar@olga.net
>
> Step 3:
> Acceptance of your file has three steps:
> 1. Successful receipt at olga.net
> 2. Check for valid file type, format, brevity, etc.
> 3. Check for duplication.
>
> 3.1. The subject line of your submission MUST start with
> one of the prefixes listed below (three/four letters and a colon).
> We appreciate it if you then can give the song name and artist name.
>
> Examples of good subject lines (in order of preference):
> Subject: CRD: r/reed_lou/hello_its_me.crd
> Subject: CRD: hello_its_me.crd by Lou Reed/John Cale
> Subject: TAB: hello its me by Lou Reed/John Cale
> Subject: PRO: 'Hello It's Me' (Lou Reed/John Cale)
>
> List of Prefixes:
> CRD: - When you are sending a chord file
> TAB: - When you are sending a tablature file
> BTAB: - When you are sending a bass tab file
> PRO: - When you are sending a Chordpro file
> LYR: - When you are sending a lyrics file
>
> Step 3.2, 3.3:
> Here are (some of) the criteria for acceptance, and what you should do
> if you file fails these criteria. If your file fails any of these, it
> will be sent back to you, within a week, with a request that it be fixed.
>
> The file includes the song name, artist's name, the transcriber's
> name, and, if different, the submittor's name.
>
> The file is 'all your own work'. If you use material from a book or
> magazine, it won't (knowingly) be archived.
>
> The file is substantially complete. Examples of insufficient detail
> are: single line of tab; files without lyrics; verse but no chorus.
> You should always make the form of the song clear, particularly if
> there's a solo or bridge (for example) that you can't work out - lable
> the various parts (intro, verse, chorus, bridge, etc) and give their
> order.
>
> The file is not readable, due to unknown encoding when sending, or
> because the file itself is not plain text.
> Again: When writing a file, we advise using courier font in 10 pt
> size. Restrict the page to a width of 75 characters and be sure the
> lines don't run over. Save as text before sending. Do NOT send
> us .doc (microsoft), .wps (word perfect) files, etc. that have not
> been saved as text.
> When sending, try to 'insert' the file into your message, rather than
> 'attaching' it. We can read some attachment encodings, but not all.
>
> If a file for the song already exists:
> you should get the existing version from the archive,
> (go to http://www.olga.net and follow the instructions)
> and integrate the two, in as far as this is possible.
> (If the recordings on which the crd/tab are based are
> different, this may not be possible. They may, for example,
> be in different keys, or have different choruses, or be
> special live or acoustic versions.)
> If your file is for the same recording as the file already
> existing, try to contact the original author to come to an
> agreement. Always credit the original author and mention what
> each of you has done. If you can't contact the author, try to
> send a single file (your file and theirs integrated), giving your
> alternative notation where necessary. If you are completely sure of
> your work, you would not include the old file; if you are not
> certain, give both alternatives in the single file.
>
> When you resubmit your file:
> add a note at the head, addressed to the archivist, giving
> instructions. Example: "Archivist - This file includes the
> already existing one for this song, but adds the solo - please
> replace the old one with this. I have kept the original author's
> name along with mine." or "Note to Archivist - The solo
> in the existing file is quite wrong, so i inserted the correct tab.
> A note at the top says I wrote the solo. Please replace the
> old file with this one."
>
> If your file meets the criteria for acceptance, it will be archived
> within a week, and you should see it at the sites shortly after that.
>
> Step 4:
> Your file at OLGA:
> Any file archived becomes the property of the archive in so
> far as material extraneous to the musical content (basically
> the header and .sig) may be removed or edited.
>
> Posting to usenet or submission to the archive implicitly
> gives permission for fair-use distribution.
> The author's name and e-mail address will always be retained
> if accompanying the file, along with any other information
> the archivists deem relevant.
>
> The archivists retain the right to modify or remove files as
> they see fit.
>
> In cases of duplication of a song, the archivists may remove
> a transcription judged to be of inferior quality. As mentioned
> above, submittors are expected to offer opinion as to the
> quality of existing versions of files.
>
> Requests to have files removed or modified should be made to
> the archivists by e-mail to guitar@olga.net
>
>
> Additions/corrections to this file welcomed - send to questions@olga.net
> --------------
> Last Update Oct 97
>
> cal woods rcwoods@olga.net
> Pete Palmer ppalmer@cray.com
> Ryan Harding rkh2@ukc.ac.uk
> Dean Gaudet dgaudet@arctic.org
> Alex Randell randell@serial.music.uiowa.edu
> Rick Schofield rds@rds.mv.com
>
> OLGA - The On-Line Guitar Archive http://www.olga.net
>
>
