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Succexy - Metric
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Tabbed by: Stouffer
Email: Stouffer2003@hotmail.com
Tuning:EADGBe
This was tabbed on an acoustic guitar. If playing electric, subsitute bar chords for
powerchords.
F# G F#
Lonesome for no one when
F# G F#
The room was empty and
F# G F#
War as we knew it was obsolete
F# G A F# G F#
Nothing could beat complete denial
G A F#
F# G F#
All we do is talk, sit, switch screens
G A F#
As the homeland plans enemies
F# G F#
All we do is talk, static split screens
G A F# (F#) (Whammy/bend strings if on electric)
As the homeland plans enemies
At 14s this keyboard riff kicks in and continues until the chorus:
e|---------------------------------------------------------------------------|
B|---------4-5/4-2---6/5-2---4-2---2--------------0-5/4-2---6/5-2------------|
G|-------2---------4-------4-----4---4----------2---------4-------444--44----|
D|-----4-------------------------------4------4------------------------------|
A|---4-----------------------------------4--4--------------------------------|
E|---------------------------------------------------------------------------|
Chorus
Invasion's so succexxy....
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4----------x2--------------|
D|--------6------6------6------6-------6------6-----444-44-------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|
G F#
Let's drink to the military
G F#
The glass is empty
G F#
Faces to fill and cars to feed
G A F# G F#
Nothing could beat complete denial
G A F#
F# G F#
All we do is talk, static split screens
G A F#
As the homeland plans enemies
F# G F#
All we do is talk, static split screens
G A F#
As the homeland plans enemies
[ Tab from: http://www.guitaretab.com/m/metric/82807.html ]
Invasion's so succexxy....
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4------------x4------------|
D|--------6------6------6------6-------6------6-----444-44-------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|
Passive attraction, programmed reaction
Passive attraction, programmed reaction
Action distraction, more information
Flesh saturation, lips on a napkin
Ass ass ass
Bass fill
e|-------------------------------------------------------------------------------------------------------------------|
B|-------------------------------------------------------------------------------------------------------------------|
G|-------------------------------------------------------------------------------------------------------------------|
D|------------------------------------------------------------------------99-9----------------99-9-------------------|
A|--22--2/44-4/99-9-9-9----22--2/44-4/99-9-9-9----22-2/44-4/99-9-9-9----------77-7/99-9-9---------77-7/99-9-9--------|
E|-------------------------------------------------------------------------------------------------------------------|
Where does the time go?
We're waking up so slowly
Days are horizontal lately
Out of body, watched from above
Out of body, watched from above
This kicks in at 2:09
e|-----------------------|-----------------------------------------------|
B|-10-10----10-12-10-----|--7-7---9-9---10-10--10-12-10------------------|
G|-11-11-------------11--|--7-7---9-9---11-11-----------11-----x5--------|
D|-10-10-----------------|--7-7---9-9---10-10----------------------------|
A|-----------------------|-----------------------------------------------|
E|-----------------------|-----------------------------------------------|
Passive attraction, programmed reaction
More information, cash masturbation
Follow the pattern- the hemlines, the headlines
Action distraction,faster than fashion
Faster than fashion,faster than fashion
Then an occasional Metric trademark: finishing the song on the intro
F# G F#
Lonesome for no one when
F# G F#
The room was empty and
F# G F#
War as we knew it was obsolete
F# G B#m (strum slowly for full effect!)
Nothing could beat complete denial
Thats it, comments/suggestions welcome
| / slide up
| \ slide down
| h hammer-on
| p pull-off
| ~ vibrato
| + harmonic
| x Mute note
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