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Amanda In A Silverworld Kenny Young From: Last Stage For Silverworld (1973) Very long instrumental opening - at guitar version of riff: | Em | D | C | C | Em | D | C | C | Em D I see Amanda in a silver world C C Sending vibes and super flashes Em D Amanda likes to see the world C C Through sea blue eyes and orange glasses G A C G . Mad hatters and love sonnets, . the flighty dreams we read G A C G . Back to a perfect planet, . planted with the sweetest seed D C For the human breed, ah ha ha (ha ha) Em D I see Amanda in a silver world C C Weaving poems and stealing rhymes Em D Amanda had a mystic touch C C That make illusions shape and shine G A C G Nostalgia packages from the nineteen fifties - sixties shops G A C G Dion and the Belmonts era, . and Sunday high school hops D C Oh what a flop, ah ha ha (ha ha) | Em <> | <> | | Em | D | C | C | Em | D | C | C | | Em | D | C | C | Em | D | C | C | [ Tab from: http://www.guitaretab.com/k/kenny-young/363491.html ] Em D I see Amanda in a silver world C C With wings in flight and heels on fire Em D Amanda, when look back, girl, C C You'll find new life a little higher G A C G . Mad hatters and love sonnets, . the flighty dreams we read G A C G . Back to a perfect planet, . planted with the sweetest seed D C For the human breed, ah ha ha (ha ha) | Em | D | C | C | Em | D | C | C | Em | D | C | C | Em D I see Amanda in a silver world C C Sending vibes and super flashes Em D Amanda likes to see the world C C Through sea blue eyes and orange glasses Em D C C Amanda -- a -- a -- a | Em | D | C | C | etc. ©1973 Kangaroo Music Charted by Dexex Note: In the recording I have, the whole song is a little sharp. If you play along with the recording on a guitar tuned with a digital tuner you'll find the chords in the chart just a little low. If you play the song a half step higher you'll find the half step is too high. I suspect that the record's producers wanted a little more energy from the track, and so sped it up just a little. Speeding up the track would also make it just a little bit higher in pitch. This was not an unusual practice when the track was recorded in 1973. To test my theory I used iRehearse, which is a digital phrase trainer that allows you to change the pitch and/or tempo of digital sound files. (It's a great rehearsal tool.) By lowering the pitch about 1/4 semi-tone (aka -30 "cents") I was able to bring the recording back into perfect tune. |