This is 100% correct
Sorry
Drop Db=drop C#
pm=palm mute
b=bend,h=hameron
L=lift off
listen to find the srumming pattern on these chords
Eb|2-----0times2-----0-----0-times2(both)------------------||
Bb|0-----0-----------0-----3-------------------------------||
Gb|2-----2-----------2-----2-------------------------------||
Db|2-----2-----------0-----0-------------------------------||
Ab|0-----0-----------0-----0-------------------------------||
Db|--------------------------------------------------------||
played at 17 seconds
Eb|-------------------------------------||
Bb|-------------------------------------||
Gb|-------------------------------------||
Db|5--4---------------------------------||
Ab|------5------------------------------||
Db|-------------------------------------||
heavy part, first played at 20 seconds,listen for stumming/timing
Eb|-------------------------------------||
Bb|-------------------------------------||
Gb|-------------------------------------||
Db|2-----0------------------------------||
Ab|2-----0------------------------------||
Db|2-----0------------------------------||
played at 27 seconds
Eb|-------------------------------------||
Bb|-------------------------------------||
Gb|-------------------------------------||
Db|-------------------------------------||
Ab|4-4-5--4--4--0-----------------------||
Db|-------------------------------------||
played at 30 seconds, uses sum fx, chorus, reverb
Eb|---------------------------times4-----------------------||
Bb|-----------15----14-------------------------------------||
Gb|9--12--14------------15--10-----------------------------||
Db|--------------------------------------------------------||
Ab|--------------------------------------------------------||
Db|--------------------------------------------------------||
[ Tab from: http://www.guitaretab.com/d/dry-cell/131505.html ]
this part is played palm muted in the backround of the part above,
listen for stumming/timing pattern
Eb|-------------------------------------||
Bb|-------------------------------------||
Gb|-------------------------------------||
Db|2-----0------------------------------||
Ab|2-----0------------------------------||
Db|2-----0------------------------------||
pm
played at 1:50, listen for number of strums on open string before bend
Eb|-------------------------------------||
Bb|--------times3-----------------------||
Gb|------4b-----------------------------||
Db|0------------------------------------||
Ab|0------------------------------------||
Db|0------------------------------------||
starts at 2:00, fx are used, that at the end is tapping
Eb|------7--------------------7-----------tap-times3-------||
Bb|8--7-----8--7--------8--7-----8--7-----5h7h9L7L5--7b----||
Gb|---------------7--------------------7-------------------||
Db|------------------0-------------------------------------||
Ab|------------------0-------------------------------------||
Db|------------------0-------------------------------------||
guitar1-played at 3:00
Eb|---------------------------------------------times2-----||
Bb|----------------times2-----------------times2-----------||
Gb|-------times4-----------------times4--------------------||
Db|15-14-0-------15-------14-12-0-------14-----------------||
Ab|--------------------------------------------------------||
Db|--------------------------------------------------------||
guitar2-played at 3:02, volume swells in
Eb|----2-times3-----0-times6-----2-times6-----0-times6-----||
Bb|--------------------------------------------------------||
Gb|--4------------2------------4------------2--------------||
Db|2------------2------------2------------2----------------||
Ab|--------------------------------------------------------||
Db|--------------------------------------------------------||
end with this chord on 3:20
Eb|-2-----------------------------------||
Bb|-0-----------------------------------||
Gb|-2-----------------------------------||
Db|-2-----------------------------------||
Ab|-0-----------------------------------||
Db|-------------------------------------||
Tabbed by John Bowdish of ImpurVisionsDotCom
