#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: mfassben@nickel.ucs.indiana.edu (michael thomas fassbender)
Subject: TAB: Danzig "Let it be Captured"
This is sort of a trial run for me, as I haven't
posted a song before, so I'm sending in something fairly
short and simple. This is how I've interpreted the song
"Let It Be Captured" from Danzig's 4th Album.
QuickTab is a Macintosh Tab Editor in the final
stages of beta testing. For more information, please
contact Keith MacDonald (IKB_MAC@PAVO.CONCORDIA.CA).
~Title: Danzig -- Let It Be Captured
QuickTab
---------------------------------------------------------------
Legend:
-------
x mute
b bend
r release
h hammer on
p pull off
~ vibrato
/ slide up
\ slide down
^^ tremolo
[ Tab from: http://www.guitaretab.com/d/danzig/4788.html ]
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------2-------------2---------|---------2--------------2-------|
|-----0-----0------0-------0-----|-----0-------0-------0------0---|
|--5------------5----------------|--1--------------1--------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------2--------------2--------|---------2---------------2------|
|-----0-----0--------0------0----|-----0-------0--------0------0--|
|--------------------------------|--------------------------------|
|-1-------------1----------------|--0---------------3-------------|
This seems pretty much to be the whole song, from start to
finish. Start out fairly slow, with a more or less clean
sound, and as the song progresses, pick up the volume and
some tempo, and then kick in the distortion.
Michael Fassbender
